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基于BIM及MR技术的艺术装置装配式施工研究

Research on Prefabricated Construction of Art Installations Based on BIM and Mixed Reality Technologies

  • 摘要: 城市公共艺术装置具有造型非标、精度要求高、多专业协同的特点,传统二维施工模式存在可视化程度低、精度管控薄弱的弊端。针对当前非标艺术装置施工精度难管控、缺少成熟数字施工体系、依赖人工经验的痛点,本文引入智慧建造方法,探索了非标艺术装置数字化施工的技术方案。以第32届广州园林博览会“冠影流芳园”凤冠艺术装置为载体,集成建筑信息模型(Building Information Modeling,BIM)与混合现实(Mixed Reality,MR)技术,构建“预制设计—BIM建模—MR预演—现场装配—虚实校核”数字化施工闭环,提出非标构件的数字孪生模型,通过BIM建模、MR应用、二维码定位等手段,实现施工可视化与精准化。实践表明,建筑信息模型与混合现实方法,以±1.5 cm作为安装偏差控制标准,最终将本案例安装偏差不合格率降至1.24%,解决了非标构件传统施工依赖人工经验易导致安装偏差大、艺术造型失真的问题,实现了艺术装置的高保真效果。本案例的成功实践,实现了从经验驱动向数据驱动的施工转型,所构建的数字化施工方法可为非标艺术装置的智慧化建造提供技术参考,也为园林工程的数字化转型提供实践依据。

     

    Abstract: Urban public art installations have the characteristics of non-standard shapes, high precision requirements, and multi-disciplinary collaboration. The traditional two-dimensional construction mode has the drawbacks of low visualization and weak precision control. In response to the pain points of difficult precision control, lack of mature digital construction system, and dependence on manual experience in the construction of non-standard art installations, this article introduces intelligent construction methods and explores technical solutions for digital construction of non-standard art installations. Using the "Guanying Liufang Garden" Fengguan Art Installation at the 32nd Guangzhou Garden Expo as a carrier, integrating Building Information Modeling (BIM) and Mixed Reality (MR) technologies, a digital construction loop of "prefabricated design BIM modeling MR rehearsal on-site assembly virtual real verification" is constructed. A digital twin model of non-standard components is proposed, and construction visualization and precision are achieved through BIM modeling, MR application, QR code positioning and other means. Practice has shown that building information modeling and mixed reality methods, using ± 1.5 cm as the installation deviation control standard, ultimately reduced the unqualified rate of installation deviation in this case to 1.24%, solving the problem of large installation deviation and artistic distortion caused by traditional construction of non-standard components relying on manual experience, and achieving high fidelity effect of artistic installations. The successful practice of this case has achieved a transformation from experience driven to data-driven construction. The constructed digital construction method can provide technical reference for the intelligent construction of non-standard art installations and practical basis for the digital transformation of landscape engineering.

     

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